![]() Outside of that, the yearly Support Plan updates are not cheap and add up quite a bit. That being said, Pro Tools is really expensive, even on a Perpetual License, unless you're willing to let that support plan lapse and are sure you're not going to want to renew it only every 3-4 years (which will level the cost out to be comparable to other DAWs' upgrade cycles, if not cheaper than some). I don't think the Project Page is a huge selling point, as it is nothing but a reconfiguration of existing features in other DAWs, with the unfortunate side effect of making certain things unavailable on the Song Page (better metering/visualizers) - an issue DAWs like Samplitude and Pro Tools does not have to contend with. Not quite sure the Live Page is quite there, yet, but things like the Pattern Editor, Theory Tools (Chord Track, etc.), and Arranger features can be very attractive to people coming into the market who need help in those areas. ![]() Studio One is also a lot friendlier to people who don't want to RTFM, don't like learning keyboard shortcuts (or want to drag and drop most things), and who are extremely sensitive to UI Aesthetics or FAD-factor (FOMO due to not having what is more popular, etc.). IMO, the only reason to move off a DAW like Pro Tools or Samplitude Pro X to Studio One is if you actually need the features geared towards the production market. I'm actually thinking about upgrading it to X6 and just removing Studio One from that machine, because I think I want SpectraLayers Pro 8. The MIDI there is actually quite strong, as well, and I actually think the Piano Roll is funcitonally stronger than Studio One's. I ended up going back to Samplitude Pro X4 Suite, because the audio editing and ability to work in ranges is so superior to Studio One. I used Samplitude Pro X4 as my backup/laptop DAW (after moving to Cubase, to not have to dongle swap - previously, it was my primary) and replaced it with Studio One Pro 5. Most other DAWs are going to come with sacrifices in that area - and typically the people who make this move and are most happy with it are those who do a lot of MIDI Programming (which is generally seen as a weakness in Pro Tools, thought I think this is exaggerated to some degree). If you got any solution for one of both of this issues it would be really nice !Thanks :)įor Audio Editing, I think Samplitude Pro X or Pyramix are really the only decent "side grades" from Pro Tools - and I certainly prefer mixing in Samplitude to Studio One, as I find the mixer in it quite anemic (and not a great workflow). But i'm sure there is a way to make the daw act like protools because, for no reason, in one particuler mixing project on one particular track, the copy past thing acted like in protools and i still don't know how i did it, i maybe activated a setting on that track or something but I have no idea how. I watched many videos about that and they all say that there is no way to achieve this and the solution is to "render" or "bounce in place" the selection so it start on the beat and then i can copy past it properly but its so much time wasting for me. In studio one, this little blank before the clip is not pasted and the hook isn't on time when pasted. For example when you select a whole hook which start sligthy after the beat and copy past it. Second thing : Still in ProTools, i used to be able to copy past part of songs with some space before. In studio one, it seems that the mono track stays in mono si I can't use auto pan, or doubler plugins like i would in protools. First thing : In protools when I insert a stereo plugin on my mono vocal track, it automatically transforms it into stereo, like for example if i insert an auto pan plug in, the track is now stereo and i actually here the auto pan. Hi ! I recently switched daw from ProTools to Studio One for many reasons but there are still two simple things i can't achieve so it makes my life harder recording and mixing for clients in the studio.
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